PLEASE NOTE: This item has a planned release for Late January and is only available for PRE-ORDER at this time.
Orders are not shipped until complete. If you wish to receive in-stock items prior to pre-ordered items, you must place separate orders.
1. Orders are not shipped until complete. If you wish to receive in-stock items prior to pre-ordered items, you must place separate orders.
2. Release dates are subject to change. All dates are estimates and subject to manufacturer revisions beyond our control.
3. Order modifications. Orders can be canceled and items removed upon request. We are unable to add additional items to pending orders.
4. Payment details. Credit cards are pre-authorized but not captured until we ship the order. Check or PayPal payments are required at time of order.
In 1975, A Chorus Line took Broadway by storm and ran a then astonishing fifteen years, at that time the longest running musical in history. Featured in that original brilliant company was a diminutive powerhouse named Kay Cole as Maggie. In the song “At The Ballet,” composer Marvin Hamlisch wrote her one of the greatest money notes in history and when Kay hit it it was like the heavens opened – it was a great Broadway voice of incredible purity and power, but also subtlety and nuance.
Kay was already a musical theater veteran by that time. As a young performer she’d played Amaryllis in the first national tour of The Music Man with Forrest Tucker, she’d been on Broadway and the tour of the original production of Bye Bye Birdie, she’d co-starred opposite the then-just-starting-out Liza Minnelli in Best Foot Forward, she did Stop the World, I Want to Get Off with Anthony Newley, and she was in the original cast of Newley’s The Roar of the Greasepaint, Smell of the Crowd. A few years later she did Hair, Jesus Christ, Superstar, and I’m Getting My Act Together and Taking It on the Road.
It’s taken a little over forty years for Kay to do her first solo album. Why? Well, back in the day of A Chorus Line they simply weren’t doing that kind of album. And then Kay began a successful career as a director/choreographer, making only occasional appearances. A long friendship with record producer Bruce Kimmel would always result in conversations about doing an album, but other jobs came and went and time marched on – but the album was always something both wanted to do. In 2013 Kimmel convinced Kay to come guest star in one of his monthly Kritzerland cabaret shows (now in their sixth year), and that performance was so magical, that she came back several times to enchant audiences there. And conversations about the album began again. And finally, here it is.
Kay Cole – Souvenir is an intensely personal journey through songs that resonate with Kay and that she loves singing. A true collaboration between her, producer Bruce Kimmel, and John Boswell, her amazing musical director, the CD is filled with great songs – some Broadway, some pop, but all wonderfully melodic, funny, touching, and lovingly sung. The voice, the purity, the power, the subtlety, the nuance is all there. There are songs from shows she’s done (Bye Bye Birdie, Best Foot Forward and, of course, A Chorus Line – singing the song that was actually supposed to be sung by her originally but wasn’t), along with an eclectic and great selection of others by Jerome Kern and Oscar Hammerstein, Carly Simon, Billy Joel, Al Dubin and Harry Warren, and other greats.
1. In My Life
2. Out Here On My Own
3. One Boy/You Are for Loving
5. I Think I Like You/My First Love Song
6. Can’t Help Lovin’ That Man of Mine
8. My Fantasy
9. Boulevard of Broken Dreams
10. Why Can’t I Forget?
11. You’ll See
12. That’s the Way I’ve Always Heard it Should Be
13. What Did I Have That I Don’t Have?
14. Souvenir/What I Did for Love
Musical Direction by John Boswell