UNSEALED

After Harvey Bernhard had finished writing the story outline and was given the green light to start the production, the first person he contacted was Jerry Goldsmith because of the composer's busy schedule. Bernhard also felt that Goldsmith's music for The Omen was the highest point of that movie, and that without Goldsmith's music, the sequel would not be successful.

Goldsmith's Omen II score uses similar motifs to his original Omen score, but for the most part he avoided re-using the same musical cues. In fact, the first movie's famous "Ave Satani" theme is reprised only partially, just before the closing credits begin. Goldsmith composed a largely different main title theme for Omen II, albeit one that utilises Latin phrases as "Ave Satani" had done. Goldsmith's Omen II score allows eerie choral effects and unusual electronic sound designs to take precedence over the piano and Gothic chanting.

The Album
01 Main Title 5:03
02 Runaway Train 3:58
03 Claws 3:14
04 Thoughtful Night 3:05
05 Broken Ice 2:19
06 Fallen Temple 2:55
07 I Love You, Mark 4:37
08 Shafted 3:00
09 The Knife 3:21
10 End Title (All The Power) 3:24

The Film Soundtrack
11 Main Title 3:02
12 Face Of The Antichrist 2:20
13 Fallen Temple 1:33
14 Aunt Marion's Visitor 0:36
15 Another Thorn 1:18
16 A Ravenous Killing 3:07
17 Snowmobiles 1:11
18 Broken Ice 2:21
19 Number Of The Beast 1:33
20 Shafted 3:00
21 The Daggers 1:56
22 Thoughtful Night 2:36
23 I Love You, Mark 4:21
24 Runaway Train 1:10
25 The Boy Has To Die 1:24
26 All The Power And End Title 3:14