Remastered reissue, with new artwork.
SALVADOR
1. MAIN TITLE "SALVADOR" (2:32)
2. EL PLAYON (2:16)
3. AT THE BORDER (1:12)
4. THE ROAD BLOCK (1:22)
5. THE ASSASSINATION (2:03)
6. CARLOS IS DEAD (0:52)
7. TANKS AND TROOPS (1:22)
8. SALVADOR (1:01)
9. GOODBYE, MARIA (1:38)
10. SIEGE AT SANTA ANA (3:18)
11. THE MOURNERS (1:22)
12. LOVE THEME - FINALE (4:24)
PLATOON
13. MAIN TITLE "PLATOON" (2:27)
14. BUNKER TO VILLAGE (3:32)
15. SORROW (1:58)
16. BARNES SHOOTS ELIAS / THE TURNING POINT (5:21)
17. THE SOUL OF AN INNOCENT (2:38)
18. KILLING BARNES / AFTERMATH (1:59)
19. FINALE (5:54)
20. "Adagio for Strings" (Barber) (6:51)
SALVADOR - While Salvador wasn't Oliver Stone's first film (a pair of offbeat horror stories preceded it), it defined his style of fiercely dramatic, politically oriented filmmaking, staked out his territory as one of the major directors of the 1980s and 1990s, and remains one of his strongest works to date. Veteran photojournalist Richard Boyle (James Woods) has been taking his camera to the world's trouble spots for over 20 years; while he does good work, Boyle's fondness for booze and drugs, and his colossal arrogance, have given him a reputation that's left him practically unemployable. Broke and with no immediate prospects, Boyle and his buddy Doctor Rock (Jim Belushi), an out-of-work disc jockey, head to El Salvador, where Boyle is convinced that he can scare up some lucrative freelance work amidst the nation's political turmoil. However, when Boyle and Rock witness the execution of a student by government troops just as they enter the country, it becomes clear that this war is more serious than they were expecting. Increasingly convinced that El Salvador is a disaster starting to happen, Boyle eventually decides that it's time to get out; but he has fallen in love with a woman named Maria (Elpidia Carrillo), and he doesn't want to leave her behind. James Woods gives one of his best performances as Boyle; and the passion of Stone's message, aided by the power of its truth (the film is based on actual events), propels the film forward. 1986
PLATOON - Oliver Stone's breakthrough as a director, Platoon is a brutally realistic look at a young soldier's tour of duty in Vietnam. Chris Taylor (Charlie Sheen) is a 1968 college student who quits school to volunteer for the Army. He's shipped off to Vietnam, where he serves with a culturally diverse group of fellow soldiers under two men who lead the platoon: Sgt. Barnes (Tom Berenger), whose facial scars are a mirror of the violence and corruption of his soul, and Sgt. Elias (Willem Dafoe), who maintains a Zen-like calm in the jungle and fights with both personal and moral courage even though he no longer believes in the war. After a few weeks "in country," Taylor begins to see the naïveté of his views of the war, especially after a quick search for enemy troops devolves into a round of murder and rape. Unlike Hollywood's first wave of Vietnam movies (including The Deer Hunter, Apocalypse Now, and Coming Home), Platoon is a grunts-eye view of the war, touching on moral issues but focusing on the men who fought the battles and suffered the wounds. In this sense, it resembles older war movies more than its Vietnam peers, as it mixes familiar elements of onscreen battle with small realistic details: bugs, jungle rot, exhaustion, C-rations, marijuana, and counting the days before you go home. This mix of traditional war movie elements with a contemporary sensibility won Platoon four Oscars including Best Picture and Best Director, and a reputation as one of the definitive modern war films. 1986
