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Jarecki's HBO hit gave us a unique insight into the world of the Rich and Famous. It is a bizarre, warped, and twisted world in which the wealthy heir of a real estate tycoon disguises himself as a mute woman and mingles with the ‘down and out’ in Texas, one of whom he commences to dismember and dispose of after he has become a nuisance. This is Robert Durst’s story, the billionaire whose first wife, Kathleen McCormack, suddenly vanished; who dismembered pensioner Morris Black, and subsequently killed his best friend, Susan Berman, after she threatened to spill the beans on McCormack’s disappearance.

Jarecki had been familiar with Durst’s story before he embarked on the project that would eventually become “The Jinx.” In 2010, he directed the feature film “All Good Things,” a fictionalized account of the tumultuous marriage between Durst and McCormack. (The soundtrack was released by Caldera Records in 2014.)

The show’s mood was unique, and the score needed to be unique. Jarecki hired composer West Dylan Thordson for the first season. His music for “The Jinx” is a darkly hypnotic score, suspense writing at its best. Skillfully, Thordson plays with key motifs and themes which he weaves in and out to combine them with new material and present them in a different instrumentation. While he aptly captures the darkness in Robert Durst, there is also a moving gentleness in those cues dedicated to his missing wife. His pensive and melancholic cue “Kathie” stands out as a moving tribute to the young student who was full of hope and adored by everybody.

The music for the recent second season of “The Jinx” was composed by Mondo Boys: Mike Schanzlin and Mike Griffin. They knew that what made the first season so impressive was its tonal ambiguity: the audience oftentimes never sure whether what they saw was hilarious or repulsive. Nailing the tone for Robert Durst and his unwitting accomplices was a balancing act. Jarecki and his team allowed them to experiment with themes, moods, and instrumentation. The show proved a rewarding playground for the musicians, a dream come true after they had been fervent fans of the show’s first season.

The same is true for us at Caldera Records: We were fans of “The Jinx” long before we were asked if we were interested in releasing the album for the instrumental score. Considering we had released Rob Simonsen’s “All Good Things” score, we had come full circle.

The 60th CD-release of Caldera Records features a detailed booklet text by Stephan Eicke and elegant artwork by Luis Miguel Rojas. The CD was mastered by Richard Moore and produced by Stephan Eicke.

Season 1
Music by West Dylan Thordson
1. Sacred Knowledge (2:26)*
2. Kathie’s Afraid of Bob (3:43)
3. Evidence (1:09)
4. Contact (Indian Point) (3:08)
5. Surveillance (2:56)**
6. Premiere (1:22)
7. Madrid (0:41)
8. End Credits (Attorneys) (2:29)
9. Suicide (2:40)**
10. Kathie (3:12)
11. The Beverley Hills Letter (1:31)
12. Inconsistencies (4:09)
13. Kidnapped (2:03)*
14. Shaved Heads (1:18)**
15. May 22, 1978 (2:15)
16. Independence (2:03)*
17. Hardware Store (0:49)**
18. Sareb and Bobby (1:33)
19. D for Durst (0:53)
20. Guns (2:12)

Season 2
Music by MONDO BOYS
21. Meet Lewin (3:19)
22. Loyal Chavin (1:41)
23. Tragic Dream (1:21) feat. Molly Lewis
24. Scrapbooking (1:43)
25. Lewin is Listening (2:19)
26. Checklist (1:36)
27. Debbie Meets Bob (0:56)
28. Muddy Boots (4:01)
29. Putting Bob in LA (1:54)
30. I Wanna Testify (2:50) Clyde Lawrence

* Music by John Kusiak
** unused