NEAR MINT - UNSEALED - ONLY ONE AVAILABLE

The score to The Final Conflict was composed by Jerry Goldsmith, who had also composed the Academy Award winning music for The Omen and the score for its sequel Damien: Omen II. The score was performed by the National Philharmonic Orchestra, conducted by Lionel Newman (who also conducted the scores for the previous two movies).

True to the style of his first two scores, Goldsmith used an orchestral/choral blend with light electronic elements to create the film's sound, though unlike the soundtrack to Damien, The Final Conflict makes no pronounced reference to the original Omen theme "Ave Satani", which had earned him an Academy Award nomination for Best Original Song in 1976. Instead, Goldsmith composed an all-new theme for the character of Damien introduced during the opening credits which emphasized robust tragedy over the more horrific sound of its prequel scores. Goldsmith also composed a new theme for the rebirth of Christ first introduced at the end of "Main Title" and later given full Romantic treatment with orchestra and choir at the film's climax in "The Final Conflict".

The score has been released twice on album though Varèse Sarabande: first in 1986, featuring thirteen tracks of score at a running time just over forty-eight minutes; and an expanded version on 9 September 2001, which features fifteen tracks of score at a running time of just under sixty-three minutes.

1 Main Title 3:22
2 The Ambassador 4:45
3 Trial Run 2:10
4 The Monastery 3:13
5 A T.V. First 2:45
6 The Second Coming 3:16
7 Electric Storm 5:17
8 The Hunt 3:38
9 The Blooding Reel 3:32
10 Lost Children 3:40
11 Parted Hair 6:30
12 The Iron 2:18
13 The Final Conflict 3:40