NEAR MINT - UNSEALED - ONLY ONE AVAILABLE

Leonard Bernstein was the first choice to compose the score for the film but he was overbooked. At first, James Horner was unsure if he could work on the film due to scheduling restrictions until he watched a rough cut and was so moved that he accepted the job of scoring it. Director Phil Robinson had created a temp track which was disliked by Universal executives. When the announcement of Horner as composer was made, the executives felt more positive because they expected a big orchestral score, similar to Horner's work for An American Tail. Horner, in contrast, liked the temporary score, finding it "quiet and kind of ghostly". He decided to follow the idea of the temp track, creating an atmospheric soundtrack which would "focus on the emotions." The score was nominated for the Academy Award for Best Original Score but lost to the Alan Menken score for The Little Mermaid.

1 The Cornfield 5:34
2 Deciding To Build The Field 5:51
3 Shoeless Joe 2:14
4 The Timeless Street 2:38
5 Old Ball Players 2:44
6 The Drive Home 2:13
7 Field Of Dreams 3:30
8 The Library 2:29
9 "Moonlight" Graham 2:03
10 Night Mists 4:19
11 Doc's Memories 3:17
12 The Place Where Dreams Come True 9:06
13 End Credits 4:07